Page 37 - july 2022
P. 37

JUST WRITE














 Serial Killer 202
 Be Ruthless!




 Ken Coomes, DTM







 Don’t stop writing (or speaking) just because   with your point. Readers have the
 summer is here. To help you with Table   luxury of reading over something
 Topics, short speeches, and serial fiction, let’s   more than once. Listeners don’t have
 look at a few more tips.  that same opportunity. Sometimes in

 Use active voice. The words is, are, was,   a speech a repetitive point, or pattern,
 and, were raise red flags, signifying passive   supports your message.
 voice. In one of my speeches for example, I   I know last month I said I would
 started with “My desktop gaming computer   give you three more tips, then move

 was given to me by my youngest son.” I   on to serial fiction platforms. But I
 changed that sentence to “My youngest son   don’t want to cut short valuable advice
 gave me my desktop gaming computer.”   on improving the quality of your
 Moving to active voice brought the expression   writing, or speaking, just to move   the timing for a 5-7 minute speech down to   as long to read aloud as the time you expect

 more life.  on to platforms. And, there are more good   about six minutes works well. Then if I  pause   your readers to give you.
 Keep your paragraphs short. During   suggestions to share. So you get a bonus. More   longer than expected, to allow for laughter   Time for another challenge. Share with
 my second draft of a story I broke one long   tips this month, and a focus on platforms   or for the audience to reflect on what I’m   me, or someone in your club, your own
 paragraph into three short ones. In a speech,   starting next month.  sharing, I can still wrap it up before the red   experience in redrafting a speech or a piece

 the shorter paragraphs make it easier for your   Edit ruthlessly. I think you’ll be surprised   light comes on.  of writing, after you read it aloud and edited
 audience to follow your train of thought. The   at how effective reading your writing, or   Reading a serial piece aloud after the first   ruthlessly. . . To share with me, send a note
 same holds true for serial fiction. And in both   your speech draft, aloud will help. I’ve found   draft helps, too. You won’t have the luxury of a   to (lupusgnome@hotmail.com).
 cases you keep your listener or your reader   cumbersome phrasing, long sentences,   timer, and signals at green, yellow and red. If   Enough tips for now. We’ve gone from

 more engaged.  redundancies that crept in, and even “fluff   it takes you ten minutes to read through your   outlining and keeping your story progressing
 My next suggestion applies more to   words” I wrote while I was “in the flow.”   first draft, reading material you’re familiar   all the way through ruthless editing. Next
 serial fiction than speeches, and requires   Reading aloud is a useful tool when editing.   with, consider how long it might take your   month we’ll start exploring some of the serial
 thoughtful application. Sometimes repetition   After I’ve drafted a speech, reading aloud   average reader to get through it. If you’re   fiction platforms. Whether you share with me

 is a good thing, but normally it’s best to avoid   helps me plan the timing. My first draft is   shooting for a piece that can be read in ten   or not, Just Write!
 redundancy. When writing, serial fiction or   usually longer than the time allotted for the   minutes, and it takes you more than that,
 even longer pieces, repetition might feel like   speech. Ruthless editing helps me bring the   there is more editing to be done. I suggest
 you are “beating your reader over the head”   timing under control. I’ve found that getting   your finished product take you about 75-80%




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